Pontus Kjerrman

Artist Statement – Pontus Kjerrman

For many years I have been working with stoneware sculptures of mythical animals, some of which also have a functional purpose — for example, two lamps carried by acrobatic groups of fantastical stoneware creatures. Inspired by Royal Copenhagen’s bear glaze and other classic stoneware glazes, I work with glazes that I mix and develop myself, drawing among other things on Finn Lynggaard’s glaze formulas from his book on ceramics. I am particularly interested in semi-matt and metallic glazes.

A turning point for me came nearly 30 years ago in the garden of the Rodin Museum in Meudon, where I saw one of The Burghers of Calais executed in glazed stoneware. From a distance it resembled bronze with a naturally mottled verdigris surface, and up close it revealed even richer colour and material depth, giving the sculpture an aura of timelessness. These are the kinds of ideas that guide me when I work with my glazes. I have previously worked with and researched the patination of bronze, and in stoneware glazes the material expression can become even more abundant.

The English author and Oxford literature professor C. S. Lewis writes that humans carry a special responsibility toward animals. In his marvelous stories about the other world of Narnia — tales that have followed me throughout my life since I first heard them read aloud as a child — there are talking animals, centaurs, unicorns, and also ordinary horses and beavers, even talking mice who speak to the children who travel through time and space. The greatest of them all, the lion Aslan, holds an almost divine status. In one of the books there are long dialogues between two talking horses who feel a close kinship with each other. There are also non-talking animals — sometimes one goes hunting for deer or other creatures — but to kill a talking animal would be the greatest crime imaginable.

Lewis speaks of four kinds of love: Storge — affection; Eros — romantic love; Philia — the deep love one may feel for a family member or a very close friend; and the greatest of all, the completely selfless Agape, which Lewis describes as love for one’s fellow human beings, a love that requires no reciprocity. Agape is in fact also the love of God. Without being entirely convinced of God’s existence, these thoughts have followed me throughout my life, and I often wonder whether only talking animals can experience such things. Our dog lifts her head — Are we going for a walk now? — and when I do not respond, she gently lowers her head back onto my foot.

– Pontus Kjerrman, November 2025

CV PONTUS KJERRMAN

Sculptor, Stucco Worker, Associate Professor Emeritus

Born 1954 in Gothenburg, Sweden; lives and works in Denmark since 1979

 

Memberships and Positions

2004 – Member of the artists’ association CORNER

1999–2002 Board member, Guest Studios Hollufgård

1997–2000 Board member, Charlottenborg Exhibition Building

1993–2000 Board member, Charlottenborg Autumn Exhibition

2022– Member of the Academy Council Jury

2020 – Member of the Royal Danish Academy

1990 – Member of Kunstnersamfundet (The Artists’ Society)

1985–2019 Lecturer at the Sculpture School, The Royal Danish Academy of Fine Arts

1981–1984 Apprenticeship as stucco worker

1979–1985 The Royal Danish Academy of Fine Arts, Professor Willy Ørskov

1978–1979 Hovedskous Sculpture School, Gothenburg, Sweden

1977–1978 KV’s Art School (sculptor Jan Sten), Gothenburg, Sweden

 

Selected Curatorial Projects

2004 Reflections in Plaster, The Academy Great Hall, with Jan Zahle and Bjørn Nørgaard

1999 WHITE, Charlottenborg

1989 Sculpture89, Lodsparken, Hvidovre, with Cai Ulrich von Platen

1985 Atlantis2, Fælledparken, with Cai Ulrich von Platen

 

Selected Solo Exhibitions

2023 “The Animals’ Feast Table”, Galerie Pi, with Tong Wang

2021 Galerie Pi, Copenhagen

2018 “A Midsummer Night’s Dream”, Gammelgaard, Herlev Art and Culture Center

2017 Rudolph Tegner’s Museum, Dronningmølle

2014 Atrium, Galleri KANT

2014 Vejle Art Museum

2002 “Temple of Life”, Stena Hall, Gothenburg Museum of Art, Sweden

1998 Sophienholm, Lyngby

1997 “The City of Stories”, Museum of Contemporary Art, Roskilde

1997 Politiken’s Gallery

1995 Vejen Art Museum

1994 Gallery Art Focus, Hellerup

1993 Køge Sketch Collection

1990 “Project from São Paolo”, Brandts Art Hall, Odense

1984 Tranegården, Gentofte Art Library

1981 Galleri 54, Gothenburg, Sweden

 

Selected Group Exhibitions

2023 Galleri Arte, Lild Strand, with Tine Hecht Pedersen

2023 Corner, Gammelgaard, Herlev Art and Culture Center

2019 Gallery 2132, with Tine Hecht-Pedersen and Emil Kjerrman

2018 “The Interplay Between the Local and the Global”, Nordic Contemporary Art Center, Xiamen, China

2015 Sandao Gallery, Xiamen, China

2014 Out of the Darkness, ARoS

2012 Royal Danish Academy of Fine Arts at European Art Center, Xiamen

2011 Seeing Landscape, Xiamen Art Museum, China

2011 “You and Me”, Lanlan Gallery, Xiamen, with Tine Hecht-Pedersen

2009 Northern European Art Exhibition, Hohhot, Inner Mongolia, co-curator with Tong Wang

2009 In the Forest, Lanlan Gallery, Beijing, with Tine Hecht-Pedersen

2006 Corner 2006, “Chinese Flower Pavilion”, Charlottenborg Exhibition Building, Copenhagen

2006 Yalu River Art Museum, Dandong, China

2003 The White Gold, Vejen Art Museum

1999 WHITE, Charlottenborg Exhibition Building, Copenhagen (also curated the exhibition)

1994 SIKSI Project, Gallery Augusta, Suomenlinna, Helsinki, Finland

1993 Pathos, Den Frie Centre of Contemporary Art, Copenhagen

1989 Aurora 3, Suomenlinna, Helsinki

1989 Contemporary Art from Jytte and Jarl Borgen’s Collection, Copenhagen Art Society & Silkeborg Art Museum

1989 Borealis 4, Louisiana Museum of Modern Art, Humlebæk

1989 20th Bienal Internacional de São Paulo, Brazil

1988 Danemark 88 – 17 Danish Artists, Fondation Cartier, Paris

1987 The Time of Sculpture, Sophienholm, Lyngby

1987 Nybrott, Bergen Art Association, Norway

1986 Mad About Art, ARoS (Birte Inge Christensen & John Hunov Collection)

1986 Wheat Grain with Roots, Skovhuset, Værløse

1985 Young Nordic Art, Skeppsholmen, Stockholm, Sweden

1985 Festival of Fools, Charlottenborg

1984 Young, Kulturhuset, Stockholm

1983 The Hangover of Fantasy, Charlottenborg

1981 Artists’ Autumn Exhibition, Den Frie, Copenhagen

1977 December Salon, Gothenburg Museum of Art, Sweden

 

Publications by Pontus Kjerrman

2019 Forming and Casting – Stucco and Sculpture Techniques, Royal Academy Publishing

2014 Sculpture Stories, Pontus Kjerrman & Lisbeth Bonde, foreword by Mikkel Bogh

2004 Reflections in Plaster, Pontus Kjerrman, Bjørn Nørgaard & Jan Zahle (eds.)

2003 The White Gold, Pontus Kjerrman & Karen Harsbo

2000 The Art of Sculpture, Herbert Read, edited by Morten Stræde & Pontus Kjerrman

1996 The Royal Danish Academy’s Schools of Visual Art, Bjørn Nørgaard, Pontus Kjerrman & Hans Munk Hansen

1995 Islamic Stucco

1991 Finishing and Patination of Bronze Figures by Poul Holm-Olsen (ed.)

 

Public Art Commissions

2020–21 Stoneware bench, Havrehed School, Morud, Funen

2019–20 Benches with animal figures for kindergarten, Kviberg Kortedala, Gothenburg

2013 Bench and vase, Ryslinge Municipality

2010 Stoneware and oak bench, Skovhuset, Furesø Municipality

2007 Fountain outside Yalu River Art Museum, Dandong, China

2006 Ceramic and oak bench, Rosenhaven Care Center, Skovlunde

2005 Amor and Psyche, opposite Frederiksberg Station

2004 “The Budding Love Vase” & “The Gossiping Girls’ Vase”, Stenløse High School

2004 Sculptural bench, Borås Hospital, Sweden

2003 Bench for Vejle pedestrian street

2003 Ceramic bench, Tovshøj Kindergarten, Brabrand (Aarhus)

2003 Bench and stucco friezes for Mun-H-Center/Ågrenska

2002 Drinking water fountain, Vejle pedestrian street

2001 Fountain, Vejle pedestrian street

2001 Sculpture for Billund

2000 Bench for Kornmod School, Silkeborg

2000 Aarhus University

1999 Lyngby Library

1999 “Lion’s Head”, Høng

1998 The Royal Veterinary and Agricultural University, Copenhagen

1996 “The Genius of Høng”, Vilhelm Pedersen’s Square, Høng

1995 “The Satyr, the Elephant and the Young Cat”, Ringsted Municipality

1995 “The Shepherdess and the Chimney Sweep”, Odense pedestrian street

1995 Pavilion of Love, Baldersgården, Copenhagen

1995 Fabulous animal figure in cast stone on brick bench, Løjtegård School, Kastrup

1992–93 “The Image Keeper”, Risø Research Center

1992–93 Fountain and drinking fountain, Køge, station square and pedestrian street

1990–91 Sitting horse and cat on stone, Lorensbergsgården kindergarten, Gothenburg

1989–91 “The Sculptor and the Fairy Tale”, Gustav Johannesen School, Flensburg

1988–89 “Apollo and the Fairy Tale”, Ølstykke Elderly Home

1986 – “Monument Dedicated to a Young Cat”, Museum of Southern Jutland, Tønder